[FREE] Firestarter 2 Sample Pack

My Firestarter 2 Sample Pack is available for download now! The pack has three original compositions and nine instrumental stems. I originally played the performances on baby grand piano and a winged upright piano. I transferred the performances to a Hofner Pianet M and Pianet T, and a Wurlitzer 200A. I also added some electric guitar and bass riffs to round out the pack. I hope this inspires you!

The Firestarter 2 Sample Pack is free to download and use in your productions.

Feel free to hit me up on social media if you want me to hear what you cooked up.

Enjoy and be safe!

What Actually Happens After Your Song is Placed in a TV Show? 8 Musicians Weigh In

Songs that are played at key moments during TV shows and movies have always been an important part of both films and music. They set a mood, define a character, and in the case of the artist, showcase a song in front of potentially millions of people.

Websites like TuneFind.com make it easy to search for what you just heard on a show, and MTV routinely lists the artist and song title at the bottom of the screen and points people to a website where they can see full playlists from various shows. Once you know the who and the what, however, what does the song placement really do for the artist?

I spoke with eight musicians whose work has been heard on major TV shows to glean as much information as possible regarding what happens after an episode that features one of their songs airs.

  • Chris ArenaPretty Little Liars, Ravenswood, Younger, General Hospital
  • Adam BartaThe Real World, Bad Girls Club, The Real L Word, Jersey Shore, Feedback, Best Week Ever
  • Matt Como of The Como Brothers BandKeeping Up With The Kardashians, The Real World, Best Ink
  • Rick Eberle of IridesenseZoey 101, Drake & Josh
  • Gen.ErikSportsCenter, MTV’s The Buried Life, NBC’s coverage of the Dew Tour
  • Izreal Medina of #TheGEDCollectiveDexter
  • Doug SimpsonBlue Bloods, Ray Donovan, MTV’s Hottest MCs in the Game
  • Allie Baby: Tyler Perry’s The Haves and the Have Nots

What was the immediate impact of getting your music placed on a TV show?

Chris: It really depends on the type of show, the time it airs, and when they use the song. Certain moments can come alive with the right song, like [with] “Train” on Pretty Little Liars. I did see an increase in sales for that song, and yes, sales always increase a little, but it really depends on how much of the song the editors and network use. My socials, with the exception of YouTube, didn’t really see an increase. However, the video for “Train” is at around 100,000 hits from just one placement.

Adam: It was definitely a huge status achievement for me. Right after the shows aired, my phone did blow up from people that watched, mostly my friends and family, but the real increase in both sales and exposure of the song came over a slow period of time, because the thing that most people don’t realize today is that many people DVR shows. A lot of cable TV isn’t watched live but in reruns, so the more times a show reruns, the more exposure and money you wind up making. It was kind of surprising, because it’s like your stuff just went out to millions of people over the course of a few seconds, and you’re still this same small artist in your room just not even realizing the magnitude of what has just occurred!

Matt: My brother Andrew and I got an awesome response to our songs being aired. I got texts from high school friends, social media messages from fans and family, and even close friends texting me who just happened to be watching the shows and heard our songs. That was a really cool experience. Our sales also increased for the song, and we did also have a big increase in activity on the Como Brothers social media sites.

Rick: Notoriety definitely increased and so did the number of people who came to our shows. Our web traffic and social media numbers went up. Yes, my grandma was proud.

Doug: We did get a lot of love after the placements. There is such a solid fanbase across the shows. We hit network television as well as cable television with the placements, so we were introduced to a massive array of new potential fans. Sales, social media, and Google searches all were positively impacted by the placements.

Allie: The feedback I received after the show aired was extremely remarkable. My phone became an instant hotline, and I couldn’t keep up with my social media notifications. Those who didn’t get the memo that I would be featured on the show were still not left in the dark – tons of them were inquiring trying to validate that the voice they heard over the TV screen was mine. I guess having a distinctive voice works in my favor.

Izreal: There was a gain in social media because we promoted it, but since the songs were placed during dialogue of the episode, you couldn’t really hear them clearly, so it didn’t make the impact it could have. Our phones did go a little crazy, though. [laughs]

What was the long-term impact of getting your music placed on a TV show?

Rick: It helps to have resume points, so to speak, so that when you pitch yourself out for opportunities it gives a sense of perceived credibility to the reader by using a recognizable name attached to a normally unrecognizable band.

Adam: It’s definitely a great calling card on my resume when people see I’ve had such exposure for my stuff. It’s like even if they don’t know me, venues are more apt to book me just because I’ve been in the mainstream with my music. It also helps establish myself street-cred-wise when I pitch for other artists or celebrities, since I’m known for doing viral duets. It gives me validity to what I do. The biggest perk, of course, out of all of it is the ASCAP checks that I get in perpetuity – meaning as long as the show airs anywhere I’ll always get royalties from it, so that’s the most solid part of all of it.

Gen.Erik: I believe everything I’ve accomplished has led me on a path to bigger things. It’s important to use every accolade to secure another opportunity. For instance, I gave Rob Swift all of the beats he used on ESPNU for free, which led to him passing them on to ESPN for me. I was also booking Rob at the time, which gave me the necessary experience to land a job with a booking agency and eventually start my own company, where I now book legendary artists such as Bone Thugs-n-Harmony, Pete Rock, Slum Village, M.O.P., and DJ Quik. Sometimes, it’s most important to build your resume in whatever way you can, whether life takes you on the path you envisioned or on another similar path.

Doug: After the placements, we’ve had additional placements across cable television, including MTV, MTV2, Discovery, the Speed Network, and VH1. We’ve also had placements in three major motion pictures: Fast 5, Fast and Furious 6, and Despicable Me 2, and have been very fortunate to be invited as featured panelists at a couple of music conferences and educational institutions across the country. The long-term impact of the placement surely generated several unexpected opportunities and helped forge some great relationships between industry as well as our fans, old and new.

Allie: The long-term impact has definitely worked in establishing a bigger brand. The music composer, Elvin Ross, expressed that Tyler Perry was very pleased with the musical composition I put together, and that he will definitely be reaching out for more music for the upcoming season. Since the placement I have been asked to perform at the New Orleans Jazz Festival, and I have a booking email filled with requests to conduct interviews for magazines and blogs overseas.

Matt: I think the longer term impact of the placement is that we do get opportunities we weren’t seeing before including being offered better shows, and also media outlets love the headline of one our songs having been placed in one of the TV shows. One cool result was that we got to open for the Wallflowers.

Chris: Pretty recently, I teamed up with a licensing company who makes it way easier to get music in front of the right people. Like I always say, you have to treat it like a business if you’re serious about “making it” in the music industry. I found a show, focused on the scenes, and started writing music for just that show.

While getting a song placed in a television show is impressive, it should be treated both as the achievement of a goal and as a first step in the next phase of your career. It’s impossible to predict which doors it will open for you, but as with most aspects of the music industry, the more you accomplish, the harder you have to work.

Adam Bernard is a music industry veteran who has been working in media since 2000. If you live in the NYC area, you’ve probably seen him at a show. He prefers his venues intimate, his whiskey on the rocks, and his baseball played without the DH. Follow him at @adamsworldblog.

Original article posted on https://blog.sonicbids.com/how-getting-a-song-placed-in-a-tv-show-can-affect-your-career by Adam Bernard on Jul 2, 2015 08:00 AM

[FREE] Firestarter Sample Pack

This has been such a challenging time for so many of us as a global family. Some of us, for the first time, have truly been awakened by the events that have taken place in our society. For Black people, these type of events have been and continue to be all too familiar. The cycle is psychologically draining. But maybe that has been the point all along.

“This is why I was inspired to create the Firestarter Sample Pack.”

DOUG SXMPSON

I have seen so many of my creative friends and colleagues mentally affected by our current events, to the point that they are not creating. Our skills and talent to create something out of nothing is divine. It is other-worldly. The pain is in me as well, as it is my daily reality, but the familiarity of it all makes me numb to it. I am certain that isn’t healthy either.

Personally, music and just the act of creation, has always been my safe space, my peace. It is where I can get lost in the process, washed in the sound and have the universe speak through me (if I listen).

This is why I was inspired to create the Firestarter Sample Pack. No frills, quick and dirty loops, chords and melodies. I felt a bit better after completing it and I hope that it might kindle (or rekindle) your fire to create.

Take time if you need to. Breathe. The Pack will be here for you if you want and need it. Thank you for inspiring me to do it.

Stay safe,

D.

Contains:

– 7 Sample Loops (all at 138bpm)
– 7 corresponding MIDI files (works with all DAWs)
– All in the key of C minor
– Royalty free
– FREE

Keys: Crystal Rhodes on the JD-800 Digital Piano.

Download now: bit.ly/FireSmplPck

Decadent Loop Kit V1 out now

Doug Sxmpson has debuted Decadent Loop Kit Vol. 1, a selection of Grand Piano and Pianet Model T performances by the award-winning producer, songwriter and composer. The pack offers 16 loops as well as corresponding MIDI files, BPM info and key. The 24-bit 44.1k WAV files are compatible with all DAWs and music production software such as FL Studio, Ableton, Logic Pro X, Pro Tools, Cubase and more. A demo can be seen here or heard below.

Doug Sxmpson’s Decadent Loop Kit V1 is available now.

DSxmpson · Decadent V1 Sample 3 WAYS (Demo)

Rough Draught: A Synopsis

A synopsis of the tracks featured on Rough Draught (Deluxe Edition)

I always feel as if we are all works in progress. We will never reach whatever “perfection” is. When this project started to come together, I was discovering new things about my art and skill set, and where I could take it. I also realized this may be a lonely journey. Self-analysis and discovery tends to be.

Here is a synopsis of the tracks on my project Rough Draught: Deluxe Edition.

City of Dreams (Acoustic)
Initially, I wrote this song as an uptempo, larger-than-life piece. Lush production, driving beat, and a top-of-the-world lyrical delivery. Truth be told, that wasn’t where my headspace truly was at the time. I kept listening to the track over and over and thought, what if that’s what we’d all like to feel, but deliver a more true-to-life story. I stripped the concept and track down and delivered snapshots filled with aspiration in the midst of true life happening. Felt right.

I Can’t Call It
This track was actually done for a television project. The brief called for a track that would support a montage of a guy who, despite his shortcomings, kept winning at life. They were open as far genres, so I shot my shot. Didn’t make the cut, but I revisited the track and thought it could work.

Cold Release
A production company needed “an urban cautionary street tale” track. Unfortunately, coming up in the type of environment I did in the South Bronx, this song was pretty easy to pen. I tend to produce more “musically” when it comes to songs like these. Trying to find the beauty in the mud.

“Still breaking. Still building. Still strengthening. Still connecting. Still evolving. I am not perfect.”

Doug Sxmpson

Above The Clouds (feat. Coole High)
I came up in an era of bars, delivery and metaphors. I remember coming up with the string and flute arrangement and thought that a funk bass line with a hard beat could balance the track. The hook was in mind already, and I wanted the same type of feel for the track. Charismatic delivery and bars. Every now and then, I get to work with some of the most amazing people. I remember reaching out to Coole High, a gifted producer, songwriter, and instrumentalist. I played the track and idea for him. He delivered the verse to the track what felt like instantly. Vibes.

Rules of Engagement (feat. Slim and Mr. Wonderful)
I had a pleasure of working with Mr. Wonderful of Black Pearl Music. If you don’t know, Mr. Wonderful is a colorful character (fedora, full length fur, three-piece suits, jewels and Stacy Adams is his attire of choice; even in the Summer months) and a talented MC and songwriter. His work goes as far back as the late 1980’s, rocking with some of the pioneers of Hip-Hop. I had a small recording studio back in Brooklyn, New York and this one particular night, Mr. Wonderful, DJ Illside and Reem aka Slim (Euphon, The Aqua League), my writing partner for years were in the studio. I was cycling through tracks and got to the instrumental to what would become the song. We were shooting the breeze when we started talking about strip clubs. Mr. Wonderful began to hold court and put us youngins’ up on game. The track was playing in the room and he was just talking. We recorded everything. The hook came out of what he was saying. We wrote off of what he was saying and our own perspectives. It could not have ran any better even if it was scripted. This track was so much fun to create. I even did a remix to it. Love when things come together like that.

Breakthrough
Breakthrough was written for a placement opportunity. They wanted a driving Hip-Hop track talking about perseverance. It didn’t make the cut. Several weeks later, I got a request for the track to be used in a series called Hustle. I agreed.

Normally, I just write and not worry about placements. I then see what I have that might work when I get a request for songs, beats or a brief. If I have time (24-48 hours works) I’ll pen specifically for it. I was given 24 hours to do something in this case. i knocked it out in a day. It was fun. I revisited the track when I was assembling songs for this project. It felt right.

Numb (feat. Slim)
Reem (aka Slim) and I have worked on several project over the span of 14 years. Some of our biggest work was writing and performing “OA” for his group Euphon, and writing and performing “Big City”(more on that shortly). Both of those songs were featured in Universal Pictures Fast Five starring Vin Diesel. “Numb” came about during on of these writing and recording sessions. Again, out of conversation, the bars manifested themselves. There is no hook on this track, which was purposefully done. We noticed the changes in people, places and circumstances happening all around us. It was a venting track.

As fate would have it, the track was featured in “Grown-ish”.

Big City (Remix) (feat. Slim)
I lost folks during 9/11. One in particular was crushing. My daughter’s godfather, an FDNY first responder. Rushed in without second-guessing to clear areas in the midst of the chaos and panic. He, like many others, never came back out or got back home.

I wrote the song thinking how things will move forward even if I chose not to. I could choose to stop or press on and see where this thing called life continues to take me. I had t find my motivation in a sea of indifference.

I remember pitching the track to Reem and he wrote to it. At the time, I guess we were all trying to make sense out of it all. The original version of the track sits on Fast Five. I revisited the track and remixed it with a string arrangement.

I live with the void. Never really healed from it. Just learned to accept what is. It would be a hard lesson that was prepping me for what was next.

Good Times
I got a chance to do some work with DJ Illside of Illside Entertainment. We cut this track for his Coming Straight From Da Realside mixtape series. It was a simple premise. She gave her all in a relationship and it wasn’t reciprocated. She moved on. This is where we meet her. A moody, atmospheric club track. I later got a chance to do a dancehall vibe remix to the track which was used in the movie One Bedroom.

Music is life. It is so therapeutic. Rough Draught, like so many other songs I’ve written and produced, represents parts of my spirit. Still breaking. Still building. Still strengthening. Still connecting. Still evolving. I am not perfect. I am in full acceptance of this fact. But if my value to the universe is for me to be on this journey to perfection through music, then I am at peace with this fact. Always.

Doug Sxmpson makes Beats4Love

Proceeds to support COVID-19 frontline efforts

Doug Sxmpson has joined BeatStars in its efforts to help fight against COVID-19. Beats4Love is an initiative developed and spearheaded by BeatStars whose mission is to inspire its global beat-making community to contribute to charities and nonprofits that are on the front lines of COVID-19 relief efforts.

Recording artists and patrons can support the initiative by licensing tracks from Doug Sxmpson’s Beat Store. All tracks bearing the Beats4Love logo support the charitable cause.

#TeamIHMG

To date, the Beats4Love campaign has already generated over $15,000 dollars. 100% of the proceeds collected will aid the humanitarian efforts of organizations such as Feeding America, Direct Relief and Save The Children. Doug Sxmpson as well as a host of other record producers and beat makers on the BeatStars platform are making beats available for purchase which will directly contribute to the fundraising effort.

A statement from the BeatStars Team said, “Thank you to our amazing community of producers and artists that are taking advantage of their platforms to give back to people and organizations in need. We love you and are thankful to be a part of a music family that cares about others!”

Recording artists and patrons can support the initiative by licensing tracks from Doug Sxmpson’s Beat Store. All tracks bearing the Beats4Love logo support the charitable cause. All are encouraged to engage in the campaign and join the conversation with #Beats4Love.

Doug Sxmpson and Peloton ride

Catalog to be featured on fitness company’s hardware and digital platforms.

Peloton, known for its home fitness ecosystem which includes the Peloton Tread and Peloton Bike, has reach an agreement with music publisher Vintage 75. The three year deal encompasses the use and licensing of the catalogs of producer/recording artist Doug Sxmpson and more.

Doug Sxmpson’s “Good Times”, “Breakthrough”, “Numb” and more will be accessible to Peloton’s over 2,000,000 socially-connected monthly users,…

Team IHMG

“With hundreds of classes produced monthly across twelve fitness disciplines, and a library of thousands of on-demand classes taught by a roster of elite instructors, Peloton delivers real-time motivation and curated playlists from the world’s greatest artists and writers. The brand’s immersive content is accessible through the Peloton Bike, the Peloton Tread, and the Peloton App, which is available for both iOS and Android, accessible via most tablets, mobile devices and computers Peloton is changing the way people think about health and wellness and are motivated to work out, and music is a key component of their programming, helping the instructors deliver engaging and inspirational classes in Peloton’s home fitness ecosystem (Peloton, 2020).”

Doug Sxmpson’s “Good Times“, “Breakthrough“, “Numb” and a host other tracks will be accessible to Peloton’s over 2,000,000 socially-connected monthly users, helping members reach their personal fitness goals.

Doug Sxmpson’s music on TikTok

Through a licensing deal brokered by Vintage 75 Music and Ironhorse Music Group LLC, producer and recording artist Doug Sxmpson’s catalog has been made available on mobile platform TikTok. Doug Sxmpson’s tracks “Good Times”, “Breakthrough”, and “Numb” from his Rough Draught project, as well as a host of Doug Sxmpson’s other songs and beats, have been made available to users and content creators on the ever-popular mobile app.

Formerly known as Musical.ly, TikTok is a video sharing social networking service used to create short dance, lip-sync, comedy, and talent videos. TikTok has over 800 million active users worldwide.

Doug Sxmpson’s Rough Draught is available now on Apple Music, Spotify, TIDAL and all other digital streaming services.

Doug Sxmpson and Equinox ride out

Catalog of work by Doug Sxmpson, The Sistah, Imani Simpson and more to be featured in Equinox’s high-quality fitness and lifestyle content.

Global fitness brand Equinox will be launching a transformative at-home bike and digital fitness app that allows users to stream exclusive video and audio content from brands like SoulCycle, Precision Run, HeadStrong, and more. Equinox stated that “music is an important component to motivating and inspiring our members to realize their full potential on every ride, run and beyond—and this platform offers the opportunity for music to reach new and different audiences alongside iconic and beloved fitness brands.” Doug’s catalog will be made available for potential future playlists to accompany the fitness brand’s ever growing library of fitness classes that will reach a broad and highly-engaged audience.

“The platform will integrate live and recorded original video and audio content from Equinox brands spanning 300 physical locations and 6,000 instructors.”

FAST COMPANY, 08/07/19

While no financial details were disclosed, the two-year licensing agreement begins from the commercial launch of Equinox’s Platform and will enable Equinox’s subscribers and authorized users to access Doug’s music content on Equinox’s Platform.

Rough Draught (Deluxe Ed.) out now

Doug Sxmpson’s Rough Draught (Deluxe Edition) featuring Slim, Coole High and Mr. Wonderful is available now.

Producer/songwriter Doug Sxmpson’s project Rough Draught is now available as a deluxe edition, offering remixes and instrumentals to tracks that have been featured in motion pictures One Bedroom, Fast Five, Fast and Furious 6 and television series Temptation Island, Hustle and Grown-ish. The LP features vocal performances by Red Oktobba’s Coole High, Black Pearl Music Group’s Mr. Wonderful and Slim (Kareem Knight).

Doug Sxmpson’s Rough Draught (Deluxe Edition) featuring Slim, Coole High and Mr. Wonderful is available now on all digital streaming platforms.

TEAM IHMG

Rough Draught (Deluxe Edition) is out now and available on Apple Music, TIDAL, Spotify and all other digital streaming services.